Weltliteratur Today

Jonathan Derbyshire has a nice piece in the New Statesman on the growing dominance of anglophone writers in the global literary marketplace. But part of his argument is based on a misreading of Goethe and the concept of Weltliteratur (literally "world literature").

Goethe never systematically explained his concept of Weltliteratur, rather, his thoughts on the subject are scattered throughout letters and essays on other topics. But I don't believe he ever thought that the German language and German literature would dominate.  At most, Germany would act as an honest broker of literary influence between other national literatures. In a letter to Sulpiz Boisserée Goethe wrote:

Ich bezwecke ein Höheres, worauf ich
vorläufig hindeuten will. Überall hört und
liest man von dem Vorschreiten des Menschengeschlechts, von den weiteren Aussichten
der Welt- und  Menschenverhältnisse. Wie es auch im Ganzen hiemitbeschaffen
sein mag, welches zu untersuchen und näher zu bestimmen nicht meines Amts
ist, will ich doch von meiner Seite meine Freunde aufmerksam machen, daß ich
überzeugt sei, es  bilde sich eine allgemeine Weltliteratur, worin uns
Deutschen eine ehrenvolle Rolle vorbehalten ist.  (I have something higher in mind, which I would like to outline provisionally. Everwhere one hears and reads about the progress of the human race, about the further prospects for the world and human relationships. However that may be on the whole, which it is not my office to investigate and more closely determine, I nevertheless would personally like to make my friends aware that I am convinced a universal world literature is in the process of being constituted in which an honorable role is reserved for us Germans.)

An "honorable role" for Germans is different from the "destiny" for global dominance that Derbyshire asserts. Goethe lamented the fact that, unlike England and France, Germany lacked a cultural center. But Germany's fragmentation contributed to its receptivity to influences from other nations (such as the Shakespeare cult of the late 18th century). So Germany's "honorable role" was to act as a mediator (Vermittler) between cultures with the goal of estabilshing a true Weltliteratur.  In a letter to Thomas Carlyle he wrote: Zu einer solchen Vermittlung und wechselseitigen Anerkennung tragen die Duetschen seit langer Zeit zu. (For a long time Germans have contributed to this mediation and mutual recognition). For Goethe, the translator plays a critical role in establishing a Weltliteratur (eines der wichtigsten und würdigsten Geschäfte in dem allgemeinen Weltverkehr).Luther represents the greatest example, since his translation of the Bible into vernacular German had a profound impact on Germany's linguistic and cultural development. And it is this absence of translation in the English-speaking cultural markets that prevents English-language writing from rising to the niveau of Weltliteratur as envisaged by Goethe. As Derbyshire points out in his article, one third of all fiction published in France is in translation, while in the US it is a mere Three Percent.